Fl studio swing only on one pattern
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As it is still today, Bob Marley’s music gave reggae it’s prominence, and Carlton was the driving force of the groove. It’s unclear who was the first drummer to play reggae beats on drum set, but the one drop, in particular, was made popular by Carlton Barrett of the Wailers.
Fl studio swing only on one pattern series#
I think of reggae percussion as a series of sparse accents that pop into the spaces of a groove, reminding us about all of the interlocking layers in the rhythm section. It has an example of jam block and cowbell patterns for a reggae beat. Check out this article about different percussion you can add to your kit. Percussion add-ons are one of my favorite elements of a drum set. Many reggae bands have a percussionist, but that doesn’t mean the drum set can’t jump in on the fun. Let’s finish the discussion on fills and improvisation with some percussion, like cowbell and tambourine. Think of a tom as an opportunity to support the downbeats or anticipate them through upbeats placed in certain beats of the measure. Toms and timbales can play a number of roles in the groove. Notice that some of the examples below use rhythmic ideas that are similar to the hi-hat examples above. In particular, the cross stick holds a lot of stylistic potential. The cross stick snare drum technique is the next opportunity for mixing it up. To level up from these exercises, try adding combinations of accented and unaccented notes. Consider the variations in terms of 8th notes, triplets, and 16th-note syncopation. The hi-hats are a good place to start when it comes to fills and improvising over reggae beats. What kinds of fills work well with reggae beats? Hit that beat and the upbeat of beat 4 and you have another common pattern variation. The basic one drop, for example, places the cross stick with the kick drum on beat 3. The snare drum cross stick also opens an opportunity for variation. In thexample below, it almost sounds like the hi-hat pattern shifts between two different tempos. The second example is just a different way to feel or interpret the cymbal pattern. The “skipping” syncopation only feel like they skip along over the top of the groove, like a rock bouncing over the surface of the water. Like jazz ride patterns or shuffles used on blues tunes, the following example impacts reggae songs a lot for just a slight shift in the rhythms or dynamics. These variations can also be good opportunities to phrase songs in unique ways. You can vary the rhythm or the accents, and by doing so, you can establish different styles. The shuffle patterns come in several variations. It’s more common in the “rockers reggae,” but you can use it on any type of reggae drum beat. Since most reggae drum beats have a swing feel, straight patterns are more common with faster reggae grooves. Straight patternĪ straight pattern may sound ordinary or even boring. The hi-hat variations are more so in terms of rhythm and feel. You change up the accents a little but not too much because the groove relies on the upbeat emphasis. Many of the variations on these three beats come in the form of different hi-hat or snare drum patterns. If you’re interested in more about the “money beat,” check out this article that explains the basic beat and other variations. The kick drum is on 1 and 3, while the snare is on beats 2 and 4. The “rockers” reggae beat is the money beat. The kick drum is on all four downbeats in each measure, leaving lots of opportunity to vary the rhythms that dance on top via the snare, toms, cymbals, and percussion. This is the “four on the floor” of reggae drum beats. This element of the drum beat supports the other rhythm section instruments, like guitar and keys. The upbeat accents on hi-hat are another important feature of the reggae groove. It’s emphasis is opposite the common backbeat with its heavy kick on beats 1 and 3, placing the kick on 2 and 4 - beat 3 for how I’ve chosen to notate it below. The “one drop” is the most recognizable reggae beat for drum set.
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What are the different types of reggae drum beats? One Drop It was popularized by artists like Bob Marley and Peter Tosh, and, in some ways, it was reinvented by bands like The Police with new wave pop / rock. It was awkward at first, but it opened up my mind to moving away from the same old “boom wack” backbeat with the snare drum on two and four. Learning reggae drum beats as a young drummer prepared me well for coming up with new ways to play grooves on drum set.